https://salonanimation.xyz Salon Animation Wed, 28 Sep 2022 19:26:44 +0000 https://salonanimation.xyz en https://salonanimation.xyz/Home Wed, 28 Sep 2022 19:26:44 +0000 Salon Animation https://salonanimation.xyz/Home Random research, historical backgrounds, critical, intersectional feminist and queer perspectives, technical discussions, analytical considerations AND feelings are illuminated by semi-professional anime experts, manga fans, artists, designers, hobby- &amp; even real media experts. https://salonanimation.xyz/Shop Wed, 28 Sep 2022 18:11:53 +0000 Salon Animation https://salonanimation.xyz/Shop SHOP If you are interested in purchasing one of our ANYTIME issues, please contact us via Mail︎︎︎ or Instagram︎︎︎ If you want to support our work you also can buy us a coffe on buymeacoffee.com︎︎︎ ︎ NOW AVAILABLE! The new issue about Ghost in the Shell &lt;3 <img width="1686" height="2366" width_o="1686" height_o="2366" data-src="https://freight.cargo.site/t/original/i/c5f7ff51e257d179a27f69c7da9c29f4353496b3d587f55e91e96fdfc037b557/Bildschirmfoto-2023-07-28-um-16.07.49.png" data-mid="186349860" border="0" alt="nr6" data-caption="nr6" src="https://freight.cargo.site/w/1000/i/c5f7ff51e257d179a27f69c7da9c29f4353496b3d587f55e91e96fdfc037b557/Bildschirmfoto-2023-07-28-um-16.07.49.png" /> <img width="1626" height="2364" width_o="1626" height_o="2364" data-src="https://freight.cargo.site/t/original/i/051880ba8167a1662c57df4c6ed984bcbce878379d9572dbddd7598c022feca9/Bildschirmfoto-2023-07-28-um-18.04.37.png" data-mid="186357939" border="0" alt="nr5" data-caption="nr5" src="https://freight.cargo.site/w/1000/i/051880ba8167a1662c57df4c6ed984bcbce878379d9572dbddd7598c022feca9/Bildschirmfoto-2023-07-28-um-18.04.37.png" /> <img width="1690" height="2456" width_o="1690" height_o="2456" data-src="https://freight.cargo.site/t/original/i/8e92d850b7186521e9d71bbc64f3ced6c6e9ec996c2cf9619c0effd8a4d59d3c/Bildschirmfoto-2022-09-28-um-20.43.45.png" data-mid="154337566" border="0" alt="nr4" data-caption="nr4" src="https://freight.cargo.site/w/1000/i/8e92d850b7186521e9d71bbc64f3ced6c6e9ec996c2cf9619c0effd8a4d59d3c/Bildschirmfoto-2022-09-28-um-20.43.45.png" /> <img width="1736" height="2458" width_o="1736" height_o="2458" data-src="https://freight.cargo.site/t/original/i/689f557287dbcbd0740e9ed68b3b0dd7d480a38fe0572d03dc9ea259b2a50ed4/Bildschirmfoto-2022-09-28-um-20.41.19.png" data-mid="154337385" border="0" alt="nr3" data-caption="nr3" src="https://freight.cargo.site/w/1000/i/689f557287dbcbd0740e9ed68b3b0dd7d480a38fe0572d03dc9ea259b2a50ed4/Bildschirmfoto-2022-09-28-um-20.41.19.png" /> <img width="1724" height="2410" width_o="1724" height_o="2410" data-src="https://freight.cargo.site/t/original/i/beaf20e3d1084b10fa463261d2c6f291a6bec857c003edfb103cea2a072a183d/Bildschirmfoto-2022-09-28-um-20.26.18.png" data-mid="154336429" border="0" alt="nr2" data-caption="nr2" src="https://freight.cargo.site/w/1000/i/beaf20e3d1084b10fa463261d2c6f291a6bec857c003edfb103cea2a072a183d/Bildschirmfoto-2022-09-28-um-20.26.18.png" /> <img width="1710" height="2436" width_o="1710" height_o="2436" data-src="https://freight.cargo.site/t/original/i/545a815e641f2cb612f774be6b3fc3eca5400713d9b7a73b626e0cd6bb49b51e/Bildschirmfoto-2022-09-28-um-20.23.51.png" data-mid="154336053" border="0" alt="nr1" data-caption="nr1" src="https://freight.cargo.site/w/1000/i/545a815e641f2cb612f774be6b3fc3eca5400713d9b7a73b626e0cd6bb49b51e/Bildschirmfoto-2022-09-28-um-20.23.51.png" /> &nbsp; ANYTIME Issuesnr7 – Ghost in the Shell (AVAILABLE) nr6 – Sailor Moon (AVAILABLE)nr5 – Isao Takahata (AVAILABLE) nr4 – Lu Over the Wall (SOLD)nr3 – Akira (SOLD)nr2 – Night is Short, Walk on Girl (SOLD)nr1 – In this Corner of the World (SOLD) How to order onlinePlease let us know the following things via Mail︎︎︎ or Instagram︎︎︎: which issues and how many you would likewhere we should send the packagehow much you can/want to pay for the zine(s) (15–20 € each) Shipping costs depend on your location. We ship from Austria and will be happy to provide the exact shipping costs once you have provided us with your address. Once we have received your payment (zine cost + shipping cost), we can prepare and send your package. ︎&nbsp; PricingThe zine itself costs between €15 and €20. Our project uses this money to cover printing and other expenses. To ensure our content is accessible to everyone, we provide subsidized rates for readers with limited financial means. Payment options&nbsp;You can either pay via PayPal: https://paypal.me/SalonAnimation Or you can send us the money via bank transfer: NAME: Salon Animation - Forum für animierte Medien IBAN: FI71 7997 7995 0612 85 BIC: HOLVFIHH SHOPS Germany, Hamburg: RFI – Raum für Illustration︎︎︎ https://salonanimation.xyz/Anytime1-InThisCornerOfTheWorld Tue, 27 Sep 2022 15:35:33 +0000 Salon Animation https://salonanimation.xyz/Anytime1-InThisCornerOfTheWorld ANYTIME ISSUE 1 (2018) この世界の片隅に&nbsp;In This Corner of the World In our first issue of Anytime Christoph Noller takes a deeper look into how WWII – espeacially the atomic bombings of Hiroshima and Nagasaki – influenced Japanese animation film culture (read online︎︎︎). Two regularly appearing series are first presented: Within "Anyōkai" the graphic novelist and illustrator Vinz Schwarzbauer investigates each movie's Yōkais (in Japan's culture rooted "ghost"-creatures) and illustrates them with ink-drawings. Paolo Svaluto Moreolo's "Shōji – Splendid Props" is a collection of objects that linger in the movie's scenery like indifferent witnesses. Also with contributions by Fabian Leitgeb and Sarah Podbelsek. <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/0fdf95a5e1d94ba7e0df264bd4dc8eb71952d4249b64b1b55336e77c84fcbb0a/01-32.jpg" data-mid="154217781" border="0" alt="p32&ndash;1 Cover and Backcover" data-caption="p32–1 Cover and Backcover" src="https://freight.cargo.site/w/1000/i/0fdf95a5e1d94ba7e0df264bd4dc8eb71952d4249b64b1b55336e77c84fcbb0a/01-32.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/aa8dbd8a3b125b74ca4c719cf68dab72cae439eb673953566b9d3ba2d904e8d7/02-03.jpg" data-mid="154217782" border="0" alt="p2&ndash;3" data-caption="p2–3" src="https://freight.cargo.site/w/1000/i/aa8dbd8a3b125b74ca4c719cf68dab72cae439eb673953566b9d3ba2d904e8d7/02-03.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/fc829c0a5fb95d97ea5c08aa8bb26007867d871177e6944f94b834b7104dc6c1/04-05.jpg" data-mid="154217783" border="0" alt="p4&ndash;5 &quot;&Icirc;le-de-France&quot; by Fabian Leitgeb" data-caption="p4–5 &quot;Île-de-France&quot; by Fabian Leitgeb" src="https://freight.cargo.site/w/1000/i/fc829c0a5fb95d97ea5c08aa8bb26007867d871177e6944f94b834b7104dc6c1/04-05.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/adc4c8dc54c45e5895f5e371e79abdd273c784ef617cf541b98597190427471f/06-07.jpg" data-mid="154217784" border="0" alt="p6&ndash;7_LittleBoyFatMan.jpg" data-caption="p6–7_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/adc4c8dc54c45e5895f5e371e79abdd273c784ef617cf541b98597190427471f/06-07.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/416a157dee2042199d0bc778d2455fb4b49a717ba9eb43043928bc2cb3850fb5/08-09.jpg" data-mid="154217785" border="0" alt="p8&ndash;9_LittleBoyFatMan.jpg" data-caption="p8–9_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/416a157dee2042199d0bc778d2455fb4b49a717ba9eb43043928bc2cb3850fb5/08-09.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/4fd8310f1ce3dd1fd79e73f4d156c12ab8f7cdc01682c84a702733a6e50312ad/10-11.jpg" data-mid="154217786" border="0" alt="p10&ndash;11_LittleBoyFatMan.jpg" data-caption="p10–11_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/4fd8310f1ce3dd1fd79e73f4d156c12ab8f7cdc01682c84a702733a6e50312ad/10-11.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/5116129d3737e9e8b8b7b02e3ac806cb4f659cf5fedd474720c4cbdcf8a0e440/12-13.jpg" data-mid="154217787" border="0" alt="p12&ndash;13_LittleBoyFatMan.jpg" data-caption="p12–13_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/5116129d3737e9e8b8b7b02e3ac806cb4f659cf5fedd474720c4cbdcf8a0e440/12-13.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/c7bef4fae7722a0cb16c930e6718b06f48a9f19750a14c8ef94e8160e733271d/14-15.jpg" data-mid="154217788" border="0" alt="p14&ndash;15_LittleBoyFatMan.jpg" data-caption="p14–15_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/c7bef4fae7722a0cb16c930e6718b06f48a9f19750a14c8ef94e8160e733271d/14-15.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/66ba1aa993708d53e85d96e61d08d10c086ce3f5b61e46f5dd05a2165b4ef6e9/16-17.jpg" data-mid="154217789" border="0" alt="p16&ndash;17" data-caption="p16–17" src="https://freight.cargo.site/w/1000/i/66ba1aa993708d53e85d96e61d08d10c086ce3f5b61e46f5dd05a2165b4ef6e9/16-17.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/285726ee9ffaa641168d136a023c191157504f4be3fa60a22d642d869ab1355e/18-19.jpg" data-mid="154217790" border="0" alt="p18&ndash;19_LittleBoyFatMan.jpg" data-caption="p18–19_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/285726ee9ffaa641168d136a023c191157504f4be3fa60a22d642d869ab1355e/18-19.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/00c44f1172b9f3a0a88b973365cd2142d034fa9d0ed514586a03ffb6c735d445/20-21.jpg" data-mid="154217791" border="0" alt="p20&ndash;21_LittleBoyFatMan.jpg" data-caption="p20–21_LittleBoyFatMan.jpg" src="https://freight.cargo.site/w/1000/i/00c44f1172b9f3a0a88b973365cd2142d034fa9d0ed514586a03ffb6c735d445/20-21.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/634c1a2d163510a8da34726ef0048d4938921cf55484aa357b3ae6bac99e665d/22-23.jpg" data-mid="154217792" border="0" alt="p22&ndash;23 Shōji Splendid Probs by Paolo Svaluto Moreolo" data-caption="p22–23 Shōji Splendid Probs by Paolo Svaluto Moreolo" src="https://freight.cargo.site/w/1000/i/634c1a2d163510a8da34726ef0048d4938921cf55484aa357b3ae6bac99e665d/22-23.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/4982c7cf97706c8f2d78767a97115e8286df4edde37ef562e197a5ef3e21129c/24-25.jpg" data-mid="154217793" border="0" alt="p24&ndash;25 Anyōkai by Vinz Schwarzbauer: Bakemono" data-caption="p24–25 Anyōkai by Vinz Schwarzbauer: Bakemono" src="https://freight.cargo.site/w/1000/i/4982c7cf97706c8f2d78767a97115e8286df4edde37ef562e197a5ef3e21129c/24-25.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/0768d076f061cde49c76af76ae22cd6ac9b63b3db76ddeb21e4e377f342d5508/26-27.jpg" data-mid="154217794" border="0" alt="p26&ndash;27 Anyōkai by Vinz Schwarzbauer: Zashiki-warashi" data-caption="p26–27 Anyōkai by Vinz Schwarzbauer: Zashiki-warashi" src="https://freight.cargo.site/w/1000/i/0768d076f061cde49c76af76ae22cd6ac9b63b3db76ddeb21e4e377f342d5508/26-27.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/8939d8c4cb1d14f7fd77162ab9f4c21de3f8c0ad11d4d4f77824e2828341caf0/28-29.jpg" data-mid="154217795" border="0" alt="p28&ndash;29 Anyōkai by Vinz Schwarzbauer: Oni" data-caption="p28–29 Anyōkai by Vinz Schwarzbauer: Oni" src="https://freight.cargo.site/w/1000/i/8939d8c4cb1d14f7fd77162ab9f4c21de3f8c0ad11d4d4f77824e2828341caf0/28-29.jpg" /> <img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/193ddd81580011f4770ba363d1f0326dd3d31e1e72e018d201ce4ff44b61522f/30-31.jpg" data-mid="154217796" border="0" alt="p30&ndash;31 Why we chose the film" data-caption="p30–31 Why we chose the film" src="https://freight.cargo.site/w/1000/i/193ddd81580011f4770ba363d1f0326dd3d31e1e72e018d201ce4ff44b61522f/30-31.jpg" /> CONTENT p1 “In This Corner of the World” manga panels by Kōno Fumiyo p4–5 「レモンのはなさくところ」 &amp; «Île-de-France» by Fabian Leitgeb p6–21 “Little Boy and Fat Man” by Christoph Noller (read online︎︎︎) p22–23 「障子 Shōji” by Paolo Svaluto Moreolo p24–29 “Yokai” by Vinz Schwarzbauer p30–31 “Why we chose this film” by Sarah Podbelsek WITH Christoph Noller, Paolo Svaluto Moreolo, Fabian Leitgeb, Vinz Schwarzbauer,&nbsp; Sarah Podbelsek Event Host: Café-Bar Lazy LifeRiso-Print: Soybot Graphic Design: Gerhard Jordan, Sarah PodbelsekYear: 2018Limited Edition of: 120 (sold out) <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/da8194076537f009140b504c57798d5777fdea3acd332f7cfe97e31e0aea4d59/WhatsApp-Image-2018-02-16-at-16.52.23.jpeg" data-mid="154217803" border="0" data-scale="56" src="https://freight.cargo.site/w/768/i/da8194076537f009140b504c57798d5777fdea3acd332f7cfe97e31e0aea4d59/WhatsApp-Image-2018-02-16-at-16.52.23.jpeg" /> https://salonanimation.xyz/Anytime1-LittleBoyFatMan Wed, 28 Sep 2022 10:21:39 +0000 Salon Animation https://salonanimation.xyz/Anytime1-LittleBoyFatMan FROM:&nbsp;ANYTIME ISSUE 1 “IN THIS CORNER OF THE WORLD”Research &amp; Text by Christoph Noller, 2018 Little Boy &amp; Fat Man — The Atomic Bombs and Their (Pop-) Cultural Implications During the final stages of World War II, the United States detonated two nuclear weapons over the Japanese cities of Nagasaki and Hiroshima. It was essential for both — the American and Japanese post-war societies — to address the atomic bombs. Naturally, the events were collectively remembered in an opposing manner by the victor and the vanquished. Little Boy and Fat Man — as called by the Americans — remain the only examples of nuclear weapons used in warfare and became the symbol of the Japanese defeat. The post-war society was shaped in the shadow of the mushroom clouds of the atomic bombs and the traumatic events became a touchstone for the development of the national identity. These values were ultimately constituted by the atomic trauma and expressed in a vast number of cultural works, including the Japanese animated movies. It is worthwhile to explore the historical events and their influence to set a frame for an interpretation of any medium, dealing with the atomic bombings. The use of the atomic bombs against two densely populated Japanese cities were fitted neatly into American’s triumphal Good War narrative. In this context, the bombs were necessary to persuade Japan’s military leaders to surrender, and therefore to save countless thousands of American lives. It is a simple narration omitting the simultaneous declaration of war by the Soviet Union, solidifying the absoluteness and unconditionality of the surrender. This narrative however, determined the American post-war identity and the euphoric attitude towards the fast scientific advances impersonated by the success of the nuclear bombs. Exemplary, this positive connotation of nuclear power permeated the American pop-culture and lead to the emergence of heroes equipped with world-saving superhuman abilities after they were exposed to particle radiation. <img width="732" height="1024" width_o="732" height_o="1024" data-src="https://freight.cargo.site/t/original/i/3844acb1128f7b93f728c8581a94e838f929d9542e37d704c2694f1759629350/Captain_Atom_001.jpg" data-mid="154295947" border="0" alt="&ldquo;Captain Atom&rdquo; comics were first released in 1960 and were standing exemplary for the positive connotation of nuclear power in the US." data-caption="“Captain Atom” comics were first released in 1960 and were standing exemplary for the positive connotation of nuclear power in the US." src="https://freight.cargo.site/w/732/i/3844acb1128f7b93f728c8581a94e838f929d9542e37d704c2694f1759629350/Captain_Atom_001.jpg" /> <img width="2135" height="3000" width_o="2135" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f9de672f527401c74f0b930b1dba34f4cadd63a42c74953862ab0631521cc87b/Gojira_1954_Japanese_poster.jpg" data-mid="154296003" border="0" alt="&ldquo;Godzilla&rdquo; (1954), Japan&rsquo;s contribution to the cinematic world of mutant science-fiction monsters spawned by a nuclear explosion." data-caption="“Godzilla” (1954), Japan’s contribution to the cinematic world of mutant science-fiction monsters spawned by a nuclear explosion." src="https://freight.cargo.site/w/1000/i/f9de672f527401c74f0b930b1dba34f4cadd63a42c74953862ab0631521cc87b/Gojira_1954_Japanese_poster.jpg" /> The emergence of Japan’s collective conciousness of the atomic bombs took quite some time. U.S. occupation authorities censored writings, photographs, and pictorial depictions of Hiroshima and Nagasaki for many years, out of fear these would provoke anti-American hostility. Therefore, the Japanese as a whole did not begin to visualize the human consequences of the bombs in concrete, vivid ways until three or four years after Hiroshima and Nagasaki had been destroyed. The first graphic depictions of victims seen in occupied Japan were not photographs but drawings and paintings by the wife-and-husband artists Maruki Toshi and Maruki Iri. <img width="1798" height="444" width_o="1798" height_o="444" data-src="https://freight.cargo.site/t/original/i/731f37566eb359a3b927e50a81a6e7fe22db5fb893821ba0901bd50af9771fa6/maruki-01-1w9gnkp.jpg" data-mid="154297824" border="0" alt="Water (1950) by Maruki Toshi and Maruki Iri is the first graphic depictions of nuclear victims." data-caption="Water (1950) by Maruki Toshi and Maruki Iri is the first graphic depictions of nuclear victims." src="https://freight.cargo.site/w/1000/i/731f37566eb359a3b927e50a81a6e7fe22db5fb893821ba0901bd50af9771fa6/maruki-01-1w9gnkp.jpg" /> The first compilation of photographs from the two ground zeros was not published in Japan until the occupation ended in August 1952, and the first famous Japanese photographers did not visit the two cities to photograph scarred survivors until 1960. In the print media, the easing of censorship in late 1948 finally paved the way for publication of reminiscences, poems, essays, and fictional re-creations by hibakusha (surviving victims of the 1945 atomic bombings of Hiroshima and Nagasaki). By the early 1950s, fear of a nuclear “World War III” had become almost palpable in Japan. When fallout from an U.S. thermonuclear test on the Bikini atoll irradiated the crew of a Japanese fishing boat, the public was primed to respond with intense emotion. This same turbulent period also saw the birth of “Godzilla” in November 1954, Japan’s enduring contribution to the cinematic world of mutant science-fiction monsters spawned by a nuclear explosion. It still represents the harbinger of man-made apocalypse, reviving the atomic trauma and burning cities, emphasizing the need of Japanese society to overcome catastrophic events as a united entity. The director Kurosawa Akira released the film entitled “I Live in Fear” in 1955, in which fear of atomic extinction drives an elderly man insane. In the early 1970s, Nakazawa Keiji, a cartoonist for children’s publications who had been a seven-year-old in Hiroshima when the bomb was dropped, achieved improbable success with a graphic serial built on his family’s own experiences as victims and survivors. Nakazawa’s “Barefoot Gen” was serialized in a boy’s magazine with a circulation of over 2 million and ran to some one thousand pages before the series was terminated—surviving thereafter as both an animated film and a multivolume collection. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5b158fb794aa1491e6441be88dae3597b56d27fccd1b46b844dc7ae88f12489a/akirakuro-image-w1280.jpg" data-mid="154298644" border="0" alt="&ldquo;I Live in Fear&rdquo; (1955) by Kurosawa Akira" data-caption="“I Live in Fear” (1955) by Kurosawa Akira" src="https://freight.cargo.site/w/1000/i/5b158fb794aa1491e6441be88dae3597b56d27fccd1b46b844dc7ae88f12489a/akirakuro-image-w1280.jpg" /> <img width="600" height="360" width_o="600" height_o="360" data-src="https://freight.cargo.site/t/original/i/ba0744554e1e62b601d382043f8398c5f62e148dfcf4fabb006df8bd7b5524ff/a.jpg" data-mid="154298580" border="0" alt="&ldquo;Barefoot Gen&rdquo; Manga (1970s) by Nakazawa Keiji" data-caption="“Barefoot Gen” Manga (1970s) by Nakazawa Keiji" src="https://freight.cargo.site/w/600/i/ba0744554e1e62b601d382043f8398c5f62e148dfcf4fabb006df8bd7b5524ff/a.jpg" /> Other popular appreciation of the bombs in anime are set in a future dystopian Japan. As one of the most popular anime ever, “AKIRA” — based on manga of the same name — is a cyberpunk animated film released in the 1980s that is noted for its bleak depiction of a futuristic yet decaying Japan. The opening scene shows the destruction of Tokyo in 1988 by an explosion reminiscent of a nuclear bomb. It also tackles the fear of mutation and deformation often depicted in pop-culture and attributable to the consequences of radiation which were only slowly discovered. “Neon Genesis Evangelion”, a short but popular and widely influential science fiction anime from 1995, serves as a striking example of nuclear undertones in Japanese popular art and caused a controversy due to the depiction of a nuclear explosion in its very first episode as well as ultraviolent scenes in the later course. Hayao Mizayaki, the main figure behind Studio Ghibli is mostly known to have an ambivalent relationship towards technological progress, rather known for his empathetic nice depictions of nature. He frequently addressed the human ability for self-destruction and in “Nausicaä of the Valley of the Wind” probably his most direct reference to the atomic bombs can be observed. <img width="1883" height="1368" width_o="1883" height_o="1368" data-src="https://freight.cargo.site/t/original/i/00df5cc1ae1ad1a9245b6b87c1c4b337e47533024232579b428d3c8b10f88c59/Zokunengotta.jpg" data-mid="154298966" border="0" alt="&ldquo;AKIRA&rdquo; Manga (1982 &ndash; 90) by Ōtomo Katsuhiro" data-caption="“AKIRA” Manga (1982 – 90) by Ōtomo Katsuhiro" src="https://freight.cargo.site/w/1000/i/00df5cc1ae1ad1a9245b6b87c1c4b337e47533024232579b428d3c8b10f88c59/Zokunengotta.jpg" /> <img width="1710" height="918" width_o="1710" height_o="918" data-src="https://freight.cargo.site/t/original/i/3c21ae46450080193e92ba584e9df1d0f1d7f067955c430ab467545b044f5b5f/1453780264nausicaa_explosion.jpg" data-mid="154298938" border="0" alt="&ldquo;Nausica&auml; of the Valley of the Wind&rdquo; (1984) Miyazaki Hayao" data-caption="“Nausicaä of the Valley of the Wind” (1984) Miyazaki Hayao" src="https://freight.cargo.site/w/1000/i/3c21ae46450080193e92ba584e9df1d0f1d7f067955c430ab467545b044f5b5f/1453780264nausicaa_explosion.jpg" /> <img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/34ce42135d44f02d2f33db354fb43d2ddb8f114e1e4b827ed36ac422802f44f9/bear-N2_Mine_Explosion_NGE.jpg" data-mid="154299005" border="0" alt="&ldquo;Neon Genesis Evangelion&rdquo; (1995&ndash;2012) by Anno Hideaki" data-caption="“Neon Genesis Evangelion” (1995–2012) by Anno Hideaki" src="https://freight.cargo.site/w/1000/i/34ce42135d44f02d2f33db354fb43d2ddb8f114e1e4b827ed36ac422802f44f9/bear-N2_Mine_Explosion_NGE.jpg" /> The anime “Grave of the Fireflies” from 1988, produced by the popular studio Ghibli, struck the same realistic tone as Barefoot Gen and tells the story of two siblings in the city of Kobe during World War II. The constant threat of bombers lingers throughout the film, showing the endless firebombing of Japanese cities and towns during the war. <img width="1495" height="841" width_o="1495" height_o="841" data-src="https://freight.cargo.site/t/original/i/1acbfd7d7a29d0c9aa218c29799fa0616fd05b64e5795572b9389b15947f6a89/screenshot-14.png" data-mid="154299231" border="0" alt="&ldquo;Grave of the Fireflies&rdquo; (1988) by Takahata Isao" data-caption="“Grave of the Fireflies” (1988) by Takahata Isao" src="https://freight.cargo.site/w/1000/i/1acbfd7d7a29d0c9aa218c29799fa0616fd05b64e5795572b9389b15947f6a89/screenshot-14.png" /> The Japanese used certain images to process their imperialistic past and the nuclear bombs in particular. Takashi Murakami addressed those in a critical manner. He is a major proponent of the notion that Japan’s obsession with anime, manga, excessive violence, and even cuteness derives from denial of the emotions brought about by the atomic bombings and Japan’s aggression during the Second World War. <img width="1193" height="880" width_o="1193" height_o="880" data-src="https://freight.cargo.site/t/original/i/8be2f6b7b8c92e05db10fd68453d6a69286adbdd4a08926deca1adfe30528fbe/tm-image1.gif" data-mid="154299265" border="0" alt="&ldquo;Eco Eco Rangers Earth Force&rdquo; (2005) by Takashi Murakami" data-caption="“Eco Eco Rangers Earth Force” (2005) by Takashi Murakami" src="https://freight.cargo.site/w/1000/i/8be2f6b7b8c92e05db10fd68453d6a69286adbdd4a08926deca1adfe30528fbe/tm-image1.gif" /> The Anime “In this Corner of the World” was directed by Sunao Katabuchi, based on the book of Fumiyo Kōno. It retells the events during World War II from the limited point of view of a young Japanese woman and draws a lot of its inspiration from real war documents and photographs. The protagonist Suzu moves to the city of Kure, close to Hiroshima, acting as Japan’s single largest naval base and arsenal which was heavily effected by the air raids during the last phase of the war and witnessed the use of atomic bomb. <img width="1172" height="911" width_o="1172" height_o="911" data-src="https://freight.cargo.site/t/original/i/e0e77fbf653f47732fa6ee556585c7d083b5e5f625206f0b22fa3306ad1def92/ship_haruna9.jpg" data-mid="154299420" border="0" alt="Carrier aircraft of US 3rd Fleet planes attacking battleship Haruna, Kure, Japan 28 Jul 1945; photo taken by aircraft from USS Intrepid" data-caption="Carrier aircraft of US 3rd Fleet planes attacking battleship Haruna, Kure, Japan 28 Jul 1945; photo taken by aircraft from USS Intrepid" src="https://freight.cargo.site/w/1000/i/e0e77fbf653f47732fa6ee556585c7d083b5e5f625206f0b22fa3306ad1def92/ship_haruna9.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a0a7dea531ef6ac268da3d4febe5da40cecd435b662c09fe28d378612c984d9a/Bildschirmfoto-2018-02-08-um-14.43.45.png" data-mid="154299554" border="0" alt="&quot;In This Corner of the World&quot; (2016) by Sunao Katabuchi (01:20:16)" data-caption="&quot;In This Corner of the World&quot; (2016) by Sunao Katabuchi (01:20:16)" src="https://freight.cargo.site/w/1000/i/a0a7dea531ef6ac268da3d4febe5da40cecd435b662c09fe28d378612c984d9a/Bildschirmfoto-2018-02-08-um-14.43.45.png" /> Historical Background To comprehend the national trauma caused by the fall of the Japanese empire it is important to understand the imperative will to emulate their imperialistic paragons and extend the emperor's influence over the Greater East Asia Co-Prosperity Sphere. At the peak of imperial expansion, poets, priests, and propagandists alike extolled the superi-ority of the “Yamato race” and the sublime destiny of the Imperial Way. This aspired Co-Prosperity Sphere was but a chimera; the euphoria of the first half-year of the Pacific War but a dream within a dream. Long after it had become obvious that Japan was doomed, its leaders all the way up to the emperor remained unable to contemplate surrender. They were psychologically blocked, capable only of stumbling forward. From the massacre of Nanking in the opening months of the war against China to the massacre of Manila in the final stages of the Pacific War, the emperor’s soldiers and sailors left a trail of unspeakable cruelty and rapacity. The population at home watched helplessly as fire bombs destroyed their cities-all the while listening to their leaders natter on about how it might be necessary for the “hundred million” all to die “like shattered jewels”, rather than surrender to the enemy. The most obvious legacy of the Greater East Asia Co-Prosperity Sphere was death and destruction. In China alone, perhaps 15 million people died. The Japanese lost nearly 3 million people and their entire empire as well. <img width="156" height="150" width_o="156" height_o="150" data-src="https://freight.cargo.site/t/original/i/c4158d86b4d671359572747ebc24d446c39deabf0c0c922c7a41a94838b9b52e/Artboard-1.svg" data-mid="154302302" border="0" alt="The map shows the expansion of Imperial Japan and highlights Nanjing and Manila as examples of ordered massacres committed by Japanese soldiers in the course of the war. Together with extensive air raids, the use of the two nuclear weapons by the US and the invasion of Manchuria by the UDSSR lead to the unconditional surrender of Japan on the 15.08.1945." data-caption="The map shows the expansion of Imperial Japan and highlights Nanjing and Manila as examples of ordered massacres committed by Japanese soldiers in the course of the war. Together with extensive air raids, the use of the two nuclear weapons by the US and the invasion of Manchuria by the UDSSR lead to the unconditional surrender of Japan on the 15.08.1945." src="https://freight.cargo.site/w/156/i/c4158d86b4d671359572747ebc24d446c39deabf0c0c922c7a41a94838b9b52e/Artboard-1.svg" /> <img width="1203" height="1487" width_o="1203" height_o="1487" data-src="https://freight.cargo.site/t/original/i/ef28d098054173b3ddb3eb2dc693db339a192165e626038dfccd33aab6bce55d/USA-PR-Japan-459.jpg" data-mid="154300751" border="0" alt="A Japanese watching U.S. troops landing on the beach at Wakayama, 1944" data-caption="A Japanese watching U.S. troops landing on the beach at Wakayama, 1944" src="https://freight.cargo.site/w/1000/i/ef28d098054173b3ddb3eb2dc693db339a192165e626038dfccd33aab6bce55d/USA-PR-Japan-459.jpg" /> <img width="480" height="498" width_o="480" height_o="498" data-src="https://freight.cargo.site/t/original/i/df287711c6f977400811ef5a3f1a80aef0483eb95764a2f0b2e697e373322de6/HiroshimaKure.png" data-mid="154303854" border="0" alt="In the story of &quot;In this Corner of the World&quot; the protagonist Suzu moved away from her family in Hiroshima to join the family of her husband in Kure, Japan&rsquo;s single largest naval base and arsenal." data-caption="In the story of &quot;In this Corner of the World&quot; the protagonist Suzu moved away from her family in Hiroshima to join the family of her husband in Kure, Japan’s single largest naval base and arsenal." src="https://freight.cargo.site/w/480/i/df287711c6f977400811ef5a3f1a80aef0483eb95764a2f0b2e697e373322de6/HiroshimaKure.png" /> Because the defeat was so shattering, the surrender so unconditional, the disgrace of the militarists so complete, starting over involved not merely reconstructing buildings but also rethinking what it meant to speak of a good life and good society. However, the preoccupation with their own misery that led most Japanese to ignore the suffering they had inflicted on others illuminates the ways in which victim consciousness colors the identities that all groups and peoples construct for themselves. Historical amnesia concerning war crimes has naturally taken particular forms in Japan, but the patterns of remembering and forgetting are most meaningful when seen in the broader context of public memory and myth-making generally. It is therefore of importance to reflect on the historical narrative used in animated movies contributing to the general remembrance and the balance between victimization of the imperialistic japan or realistic representation of the horror of war. RESEARCH AND TEXT BY: Christoph Noller, 2018 SOURCES: Dower, J. W. (2000). Embracing defeat: Japan in the wake of World War II. WW Norton &amp; Company. Dower, J. W. (2014). Ways of forgetting, ways of remembering: Japan in the modern world. New Press, The. https://salonanimation.xyz/Anytime2-NightIsShort-WalkOnGirl Wed, 28 Sep 2022 16:52:07 +0000 Salon Animation https://salonanimation.xyz/Anytime2-NightIsShort-WalkOnGirl ANYTIME ISSUE 2&nbsp;(2018) 夜は短し歩けよ乙女Night is Short, Walk on Girl The ”long and wondrous, marvelous night“ of "the girl with the black hair" gave us a lot to talk, think and write about: Laura Egger-Karlegger analyses the romanticized stalking of the male protagonist. Paolo Svaluto Moreolo's "Splendid Props" show us the „dazzling world of adulthood“ and Vinz Schwarzbauer's "Anyōkai" illustrates the Yōkai "Tengu" and the "Daruma Doll". On page 18 Laura shows in her essay, that the filmic time is extended through the perception of the female protagonist. On page 36 she describes "The Friendship Punch". Paolo contributed a detailed graphic analysis "The God of the Old Books Market", in which we can follow how "all books are connected". In his essay, Georg Wolf describes what it means "when fish and frogs fall from the sky" and analyses the "Deus ex Machina" trope. We give a short insight into the story's character and their reappearance in other novels by the same author – “Night is Short, Walk on Girl” is based on a novel with the same title written by Tomihiko Morimi. This issue comes also with a photo contribution by Fabian Leitgeb, an "Extrablatt" — contributed by Anna Paul — and 4 superb cocktail recipes by Miranda Bar Vienna. <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/fc89735686e5917485c8bd597529b915efbcd66bf3fa3ab3a23febb770e27c84/Anytime_33-73_Cover_front-back.jpg" data-mid="154327444" border="0" src="https://freight.cargo.site/w/1000/i/fc89735686e5917485c8bd597529b915efbcd66bf3fa3ab3a23febb770e27c84/Anytime_33-73_Cover_front-back.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/f88d5c6247fcaf50edab3078cb19ae9c7845caf9ba7a7a39ef45c140e4e880d9/Anytime_33-73_02-03_a.jpg" data-mid="154327623" border="0" src="https://freight.cargo.site/w/1000/i/f88d5c6247fcaf50edab3078cb19ae9c7845caf9ba7a7a39ef45c140e4e880d9/Anytime_33-73_02-03_a.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/a2416f94c9b3b5ea66a0426e6ab49fb2bdca8f4eb387c1b4160b493ed83a62e9/Anytime_33-73_04-05.jpg" data-mid="154327704" border="0" src="https://freight.cargo.site/w/1000/i/a2416f94c9b3b5ea66a0426e6ab49fb2bdca8f4eb387c1b4160b493ed83a62e9/Anytime_33-73_04-05.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/2580ca38136470658837f7dc2d4c269a63c27d4959256f07adbf04d9815004d8/Anytime_33-73_06-07.jpg" data-mid="154327736" border="0" src="https://freight.cargo.site/w/1000/i/2580ca38136470658837f7dc2d4c269a63c27d4959256f07adbf04d9815004d8/Anytime_33-73_06-07.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/141b365450388aa33a22f2543e0c526e78b2144eb4baaa5f7a64c5e1ed97ebaf/Anytime_33-73_08-09.jpg" data-mid="154327738" border="0" src="https://freight.cargo.site/w/1000/i/141b365450388aa33a22f2543e0c526e78b2144eb4baaa5f7a64c5e1ed97ebaf/Anytime_33-73_08-09.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/ebe8bcf8378a33fd7e008f71742fcef4bdae7937916576ef1d745a2a3ed2fc7d/Anytime_33-73_10-11.jpg" data-mid="154327741" border="0" src="https://freight.cargo.site/w/1000/i/ebe8bcf8378a33fd7e008f71742fcef4bdae7937916576ef1d745a2a3ed2fc7d/Anytime_33-73_10-11.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/59fcd588be2cd2b414641f88ed97710215bffdcf2d57b96c1ab37751057c4b22/Anytime_33-73_12-13.jpg" data-mid="154327745" border="0" src="https://freight.cargo.site/w/1000/i/59fcd588be2cd2b414641f88ed97710215bffdcf2d57b96c1ab37751057c4b22/Anytime_33-73_12-13.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/620065950b8ac3fae1e1e377c98303eab51dc9c26a2f8f30c9dc8bfb610a6352/Anytime_33-73_14-15.jpg" data-mid="154327749" border="0" src="https://freight.cargo.site/w/1000/i/620065950b8ac3fae1e1e377c98303eab51dc9c26a2f8f30c9dc8bfb610a6352/Anytime_33-73_14-15.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/1f4ee2e8ee4e06ab81740d00a4e34e960d2c71a62744d2c4853308e8ffad951c/Anytime_33-73_16-17.jpg" data-mid="154327756" border="0" src="https://freight.cargo.site/w/1000/i/1f4ee2e8ee4e06ab81740d00a4e34e960d2c71a62744d2c4853308e8ffad951c/Anytime_33-73_16-17.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/c562194f46e765c6a323efea58954054d9232da7b4edd9ceeca75398cff68c70/Anytime_33-73_18-19.jpg" data-mid="154327773" border="0" 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data-src="https://freight.cargo.site/t/original/i/41305dccdc077083a4cb4494412258178fcf68156d18b6435882598c84f01bf3/Anytime_33-73_24-25.jpg" data-mid="154327801" border="0" src="https://freight.cargo.site/w/1000/i/41305dccdc077083a4cb4494412258178fcf68156d18b6435882598c84f01bf3/Anytime_33-73_24-25.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/00bc997cb6573b88d0de72a653865b87b62773b2667f8b8d19d7638d25a03105/Anytime_33-73_26-27.jpg" data-mid="154327802" border="0" src="https://freight.cargo.site/w/1000/i/00bc997cb6573b88d0de72a653865b87b62773b2667f8b8d19d7638d25a03105/Anytime_33-73_26-27.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/242bf6501ad08cf90a87604772f152830e2d77582336f46c29c4866bf072806a/Anytime_33-73_28-29.jpg" data-mid="154327803" border="0" 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data-src="https://freight.cargo.site/t/original/i/59560ea01955fb8df3d3418dea9158dfd95c2b7036a7651c6368d69db65c222c/Anytime_33-73_34-35.jpg" data-mid="154327806" border="0" src="https://freight.cargo.site/w/1000/i/59560ea01955fb8df3d3418dea9158dfd95c2b7036a7651c6368d69db65c222c/Anytime_33-73_34-35.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/4c7d935b99e52f9eccfc4f0d94b7cc99217ed7329c327fe99563bb7ca04c97fe/Anytime_33-73_36-37.jpg" data-mid="154327807" border="0" src="https://freight.cargo.site/w/1000/i/4c7d935b99e52f9eccfc4f0d94b7cc99217ed7329c327fe99563bb7ca04c97fe/Anytime_33-73_36-37.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/b66a9ad6d70fc29745740bc6dd4dfbca7e7cddb0658a0623a34f09f9c95d98ec/Anytime_33-73_38-39_a.jpg" data-mid="154327809" border="0" src="https://freight.cargo.site/w/1000/i/b66a9ad6d70fc29745740bc6dd4dfbca7e7cddb0658a0623a34f09f9c95d98ec/Anytime_33-73_38-39_a.jpg" /> <img width="4482" height="3206" width_o="4482" height_o="3206" data-src="https://freight.cargo.site/t/original/i/ac0d67b9c4f5d2d95a648ad6d124d70389f908fca393b071d49e686746e5c3d2/Anytime_33-73_38-39_b.jpg" data-mid="154327813" border="0" src="https://freight.cargo.site/w/1000/i/ac0d67b9c4f5d2d95a648ad6d124d70389f908fca393b071d49e686746e5c3d2/Anytime_33-73_38-39_b.jpg" /> <img width="300" height="80" width_o="300" height_o="80" data-src="https://freight.cargo.site/t/original/i/76dc8442e3d376d7f2dbc76cbd81c9d2efb4dbe1dd3e29ddccf9d9d136e89ff1/Artboard-6.svg" data-mid="154331672" border="0" src="https://freight.cargo.site/w/300/i/76dc8442e3d376d7f2dbc76cbd81c9d2efb4dbe1dd3e29ddccf9d9d136e89ff1/Artboard-6.svg" />&nbsp; CONTENTp6–9 “See Strategy” by Laura Egger Karleggerp10–11 “Shōji – Splendid Props” by Paolo Svaluto Moreolop12–17 “Anyōkai“ by Vinz Schwarzbauerp18–19 “Time” by Laura Egger Karleggerp22–25 “Sea of Used Books” by Paolo Svaluto Moreolo p26–27 “I’m fond of Cocktails” by Miranda Barp28–31 “When Fish and Frogs Fall from the Sky” by Georg Wolfp32–33 “Parallel Words”by Salon Animation Teamp36–37 “The Friendship-Punch” by Laura Egger Karleggerp38 “Opinions” collected by Salon Animation Teamp39 “Tremolo” by Fabian Leitgeb“Extrablatt” by Anna Paul WITH: Anna Paul, Sarah Podbelsek, Laura Egger-Karlegger, Paolo Svaluto Moreolo, Vinz Schwarzbauer, Mirenda Cocktail-Bar, Georg Wolf, Fabian Leitgeb&nbsp; (in order of appearance) Event Host: Japannual, FilmcasinoRiso-Print: Soybot Graphic Design: Gerhard JordanProofreading: Jana Podbelsek Year: 2018Limited Edition of: 150 (sold out) <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8dc5adc7d6f6072cc0d52b990628e0bfa7d8abbf442a1ef9e31b295f814b9efe/9fa5fa13-b594-44bf-88d5-5b69228421fc.JPG" data-mid="154357256" border="0" src="https://freight.cargo.site/w/1000/i/8dc5adc7d6f6072cc0d52b990628e0bfa7d8abbf442a1ef9e31b295f814b9efe/9fa5fa13-b594-44bf-88d5-5b69228421fc.JPG" /> https://salonanimation.xyz/Anytime3-Akira Wed, 28 Sep 2022 17:47:40 +0000 Salon Animation https://salonanimation.xyz/Anytime3-Akira ANYTIME ISSUE 3&nbsp;(2018) アキラ Akira “There was everything else and then there was Akira!” Akira is one of the most famous Manga and Anime in the last thirty years: We had to address its cult status! Therefore a collection of quotes enthusiastically describing the cultural impact of Akira is one of the issue’s contributions (by Laura Egger-Karlegger and Sarah Podbelsek). A playlist inspired by Akira – mixed by Alessandro Razzi – is another outstanding contribution. Several essays are dealing with the fact that Akira takes place in a post-apocalyptic world: “Eternity through destruction” by Paolo Svaluto Moreolo analyses the apocalypse on a smaller scale and its importance for the Shinto belief. “A Spectacle Of Corporeal Mutation” by Laura Egger-Karlegger and Georg Wolf deals with the (post-) apocalypse as well as with Body Horror. Christoph Noller’s “Apocalypse Awareness” works with images of mass destruction, which appear throughout contemporary Japanese animation films. Daniela Mehlich analyses the post-apocalypse on an architectural level. With “Anyōkai” by Vinz Schwarzbauer (p9–13)and "Splendid Props" by Paolo Svaluto Moreolo (p14–15) the recurring series are continued. Furthermore, we had some amazing guest contributions by Clara Cebrian, Anna Paul and Roman Buchberger. <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/18bb4a6bb9de655009de91dbe34e76e0b64f0c0366b92825da104b28f8afee5b/Anytime_74-121_Akira_Front-Back-zusammen.jpg" data-mid="154333061" border="0" src="https://freight.cargo.site/w/1000/i/18bb4a6bb9de655009de91dbe34e76e0b64f0c0366b92825da104b28f8afee5b/Anytime_74-121_Akira_Front-Back-zusammen.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/ebf36256af2ed39d6302e9f876e4dea7cc7638fe258dfa160183db038916a295/Anytime_74-121_Akira_02-03.jpg" data-mid="154333162" border="0" src="https://freight.cargo.site/w/1000/i/ebf36256af2ed39d6302e9f876e4dea7cc7638fe258dfa160183db038916a295/Anytime_74-121_Akira_02-03.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/af55e367b1fc17c783d10eb481bef0c21f1db55728ca473a5a2703de6cfc361e/Anytime_74-121_Akira_04-05.jpg" data-mid="154333164" border="0" src="https://freight.cargo.site/w/1000/i/af55e367b1fc17c783d10eb481bef0c21f1db55728ca473a5a2703de6cfc361e/Anytime_74-121_Akira_04-05.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/c302d9910407c51ef91b09046fe6c80df392108f5397f228cb01b58b7ab935fa/Anytime_74-121_Akira_06-07.jpg" data-mid="154333170" border="0" src="https://freight.cargo.site/w/1000/i/c302d9910407c51ef91b09046fe6c80df392108f5397f228cb01b58b7ab935fa/Anytime_74-121_Akira_06-07.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/113e0938b6d1054ea76541d26da71796ede7f72edae26a3252aff8bdbcf5af48/Anytime_74-121_Akira_08-09.jpg" data-mid="154333172" border="0" 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data-src="https://freight.cargo.site/t/original/i/1c9f8eaab0b205256d3dad47c72d953a93fe58f23750566bf1ec9dda9ce7b7e0/Anytime_74-121_Akira_14-15.jpg" data-mid="154333176" border="0" src="https://freight.cargo.site/w/1000/i/1c9f8eaab0b205256d3dad47c72d953a93fe58f23750566bf1ec9dda9ce7b7e0/Anytime_74-121_Akira_14-15.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/924930129031ace85ce033802a7aa027adaaa11920a8a395ac3642c64f00f54d/Anytime_74-121_Akira_16-17.jpg" data-mid="154333177" border="0" src="https://freight.cargo.site/w/1000/i/924930129031ace85ce033802a7aa027adaaa11920a8a395ac3642c64f00f54d/Anytime_74-121_Akira_16-17.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/5e8644ee43b30870fd1b406648a6b982197617a3a2adf43cbf42db1542401acc/Anytime_74-121_Akira_18-19.jpg" data-mid="154333178" border="0" 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data-src="https://freight.cargo.site/t/original/i/9d98b19f8ee9507f10222e1c62044153e83d5658f61fbe6eda073cf09596df6c/Anytime_74-121_Akira_24-25.jpg" data-mid="154333181" border="0" src="https://freight.cargo.site/w/1000/i/9d98b19f8ee9507f10222e1c62044153e83d5658f61fbe6eda073cf09596df6c/Anytime_74-121_Akira_24-25.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/17940c3dd9aa24dcab23d7ba1cb6df7446e201c1b47a7a89541389d5e0d1de2b/Anytime_74-121_Akira_26-27.jpg" data-mid="154333182" border="0" src="https://freight.cargo.site/w/1000/i/17940c3dd9aa24dcab23d7ba1cb6df7446e201c1b47a7a89541389d5e0d1de2b/Anytime_74-121_Akira_26-27.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/de48c5872bfc0e67d30b95a9d863c6c35f200a33e0e54bbba8d9a9d154e54025/Anytime_74-121_Akira_28-29.jpg" data-mid="154333183" border="0" 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data-src="https://freight.cargo.site/t/original/i/1fe5a6b2a0bf1563b06476de920e119a19c239947bb66b4ab0f0523622fb4ee3/Anytime_74-121_Akira_34-35.jpg" data-mid="154333186" border="0" src="https://freight.cargo.site/w/1000/i/1fe5a6b2a0bf1563b06476de920e119a19c239947bb66b4ab0f0523622fb4ee3/Anytime_74-121_Akira_34-35.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/711e87c6a79ca888f1002b4ac55d90e57db896bfc836bc8dce853245f88a296b/Anytime_74-121_Akira_36-37.jpg" data-mid="154333188" border="0" src="https://freight.cargo.site/w/1000/i/711e87c6a79ca888f1002b4ac55d90e57db896bfc836bc8dce853245f88a296b/Anytime_74-121_Akira_36-37.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/136d2edc3e9e7e8fb5f20d5f82595f92bb6d500c60ac5addcf7284c1dad1aad0/Anytime_74-121_Akira_38-39.jpg" data-mid="154333189" border="0" 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data-src="https://freight.cargo.site/t/original/i/5775e713f186a31ce0c3042eb88d23b81a3ba5294435dc90aaf67c23cb5b42ac/Anytime_74-121_Akira_44-45.jpg" data-mid="154333192" border="0" src="https://freight.cargo.site/w/1000/i/5775e713f186a31ce0c3042eb88d23b81a3ba5294435dc90aaf67c23cb5b42ac/Anytime_74-121_Akira_44-45.jpg" /> <img width="2000" height="1431" width_o="2000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/2387e64a9e0ec3b4247a767557fff0fe671c04e9fe0a87f0bc2f4ec0855c911e/Anytime_74-121_Akira_46-47.jpg" data-mid="154333193" border="0" src="https://freight.cargo.site/w/1000/i/2387e64a9e0ec3b4247a767557fff0fe671c04e9fe0a87f0bc2f4ec0855c911e/Anytime_74-121_Akira_46-47.jpg" /> <img width="300" height="62" width_o="300" height_o="62" data-src="https://freight.cargo.site/t/original/i/1b244e963a2b45fcbb2599aef91e656d4ed0ab3c8c29465eec446770badb4bae/Artboard-9.svg" data-mid="154334862" border="0" src="https://freight.cargo.site/w/300/i/1b244e963a2b45fcbb2599aef91e656d4ed0ab3c8c29465eec446770badb4bae/Artboard-9.svg" />&nbsp; CONTENTp1 “Akira” by Katsuhiro Ōtomop4 “Motorbike Drawing” by Clara Cebrian p6–7 “Eternity Through Destruction” by&nbsp;Paolo Svaluto Moreolo p8+47 “Akira as Cult” by Sarah Podbelsek p9–13 “Anyōkai“ by Vinz Schwarzbauer p14–15 “Shōji – Splendid Props” by Paolo Svaluto Moreolo p16–21 “A Spectacle of Corporeal Mutation” by&nbsp;Laura Egger-Karlegger and Georg Wolf p20 Illustration by Georg Wolf p22–23 “Motorcycle Tributes” by Laura Egger-Karlegger and Sarah Podbelsek p26–29 “Neo Tōkyō” by Daniela Mehlich p30–32 “Apocalyptic Awareness” by Christoph Noller p33 “Universe” by Anna Paul p34–35 “The Music of Akira” by Alessandro Razzi and Sarah Podbelsek p36–38 “Drugs to Prevent the Apocalypse” by&nbsp;Paolo Svaluto Moreolo p39–46 “Work” by Roman Buchberger WITH: Clara Cebrian,&nbsp;Paolo Svaluto Moreolo, Sarah Podbelsek, Vinz Schwarzbauer, Laura Egger-Karlegger, Georg Wolf, Daniela Mehlich, Christoph Noller, Anna Paul, Alessandro Razzi, Roman Buchberger (in order of appearance)FILMSTILLS: Akira, Katsuhiro Ōtomo, TMS Entertainment, 1988 EVENT-HOST: FilmcasinoRISO-PRINT: Soybot GRAPHIC DESIGN:&nbsp;Sarah Podbelsek PROOFREADING: Jana Podbelsek YEAR: 2018LIMITED EDITION OF: 150